Portias, Jane Ash Mixed Media Painting On canvas “Sacred Words”

$8,200.00

Artist Statement
Sacred Words

Writing is divine, inherently holy, with powers to teach the highest mysteries; writing is the speech of the gods, the ideal form of beauty.
The Egyptians were taught that writing was the scribe of the gods and named their script “the divine.”

This art is like a mantra. Sacred — “the owner empowers the art,
give it meaning, let the magic out to enhance your mind to great things possible through the divine powers of insight.”

Dimensions: 22″ X 28″

Title: “Sacred Words”

Medium: Mixed media on canvas

C. 2023

In Stock

Mikisew Cree First Nation
“Keeping the Circle Strong: From Caribou to Bison People”

Jane Ash Poitras—also known by her Cree name Tchilekwiyusse (Little Boy Child)—is an internationally acclaimed contemporary artist, writer, and lecturer of Mikisew Cree First Nation descent. A Member of the Order of Canada (CM) and the Royal Canadian Academy of Arts (RCA), Poitras lives and works in Edmonton, Alberta, and is celebrated for her powerful visual storytelling, multidisciplinary practice, and commitment to Indigenous cultural resurgence.

Poitras creates large-scale, layered mixed media works that fuse printmaking, painting, collage, and found objects. Her pieces often include hand-written text, ethnobotanical elements, and photographic references—bridging past and present through a complex interplay of imagery, history, and meaning. With themes grounded in climate change, reconciliation, cultural memory, land stewardship, and the role of women in Indigenous communities, her work opens space for dialogue across histories and identities.

Her artistic vision is informed by a rich educational background. Poitras holds degrees in Microbiology and Fine Artsfrom the University of Alberta, along with further studies at Yale University and an MFA from Columbia University in New York. Her knowledge spans multiple disciplines—pharmacology, literature, linguistics, and current politics—which are woven into her deeply symbolic, socially engaged art practice.

In her own words, Poitras says:

“I am exploring and creating art about reconciliation. Healing of nations coming together to make the world a better place… exploring how we are all more alike than different.”

Poitras’s early life in Fort Chipewyan and her later reconnection to her Cree heritage were formative influences in her development as an artist. Orphaned at a young age and raised by a German-Canadian adoptive mother, she spent her early life assimilated into mainstream Canadian society. It wasn’t until her 30s that she reembraced her Indigenous identity—a profound turning point that reshaped both her life and her work.

Her art has been exhibited internationally and is held in the permanent collections of major institutions. In addition to the Queen Elizabeth II Diamond Jubilee Medal, she holds honorary doctorates from both the University of Calgary and the University of Alberta, reflecting her lasting influence on generations of students, scholars, and fellow artists.

Faust Gallery is honored to present the work of Jane Ash Poitras, whose visionary art challenges, educates, and inspires—bridging nations, worldviews, and generations through a deeply personal and political lens.

Jane Ash Poitras’ “Sacred Words”  is a compelling mixed media work that weaves together layers of archival photography, vivid color, and handwritten text to explore themes of Indigenous identity, memory, and cultural reclamation.

A powerful black-and-white portrait of two Indigenous figures draped in traditional blankets—framed by bold color fields and surrounded by historical images, Cree syllabics, and symbolic marks. Across the canvas, Poitras intersperses emotionally charged phrases such as “VISIONARY,” “TE AMOR,” “MI CASA,” “Te quiero,” and “Indians gave birth to this spot and take it back.” These multilingual declarations evoke love, loss, resistance, and belonging, tying personal narratives to a broader cultural legacy.

Other visual elements—such as a polar bear atop a collage of elders, postage stamps, and a lone figure walking a stone path—create a dreamlike timeline that merges personal memory with political commentary. Jane’s use of vibrant reds, deep blues, and yellows intensifies the emotional resonance, drawing viewers into a space where past and present coexist.