Portias, Jane Ash Mixed Media Painting On Canvas

$3,700.00

Jane Ash Poitras (Mikisew Cree) is known for her powerful mixed media works that explore Indigenous history, memory, and survival. This piece honors the Shoshoni people, protectors of “The Yellowstone,” with symbolic imagery and archival photography layered in vibrant color and hand-written text.

Dimensions: 14″ X 18″

Title: “Visions Clear Our Mind”

Medium: Mixed media painting on canvas in black frame

C. 2023

In Stock

Mikisew Cree First Nation
“Keeping the Circle Strong: From Caribou to Bison People”

Jane Ash Poitras—also known by her Cree name Tchilekwiyusse (Little Boy Child)—is an internationally acclaimed contemporary artist, writer, and lecturer of Mikisew Cree First Nation descent. A Member of the Order of Canada (CM) and the Royal Canadian Academy of Arts (RCA), Poitras lives and works in Edmonton, Alberta, and is celebrated for her powerful visual storytelling, multidisciplinary practice, and commitment to Indigenous cultural resurgence.

Poitras creates large-scale, layered mixed media works that fuse printmaking, painting, collage, and found objects. Her pieces often include hand-written text, ethnobotanical elements, and photographic references—bridging past and present through a complex interplay of imagery, history, and meaning. With themes grounded in climate change, reconciliation, cultural memory, land stewardship, and the role of women in Indigenous communities, her work opens space for dialogue across histories and identities.

Her artistic vision is informed by a rich educational background. Poitras holds degrees in Microbiology and Fine Artsfrom the University of Alberta, along with further studies at Yale University and an MFA from Columbia University in New York. Her knowledge spans multiple disciplines—pharmacology, literature, linguistics, and current politics—which are woven into her deeply symbolic, socially engaged art practice.

In her own words, Poitras says:

“I am exploring and creating art about reconciliation. Healing of nations coming together to make the world a better place… exploring how we are all more alike than different.”

Poitras’s early life in Fort Chipewyan and her later reconnection to her Cree heritage were formative influences in her development as an artist. Orphaned at a young age and raised by a German-Canadian adoptive mother, she spent her early life assimilated into mainstream Canadian society. It wasn’t until her 30s that she reembraced her Indigenous identity—a profound turning point that reshaped both her life and her work.

Her art has been exhibited internationally and is held in the permanent collections of major institutions. In addition to the Queen Elizabeth II Diamond Jubilee Medal, she holds honorary doctorates from both the University of Calgary and the University of Alberta, reflecting her lasting influence on generations of students, scholars, and fellow artists.

Faust Gallery is honored to present the work of Jane Ash Poitras, whose visionary art challenges, educates, and inspires—bridging nations, worldviews, and generations through a deeply personal and political lens.

Jane Ash Poitras (Mikisew Cree) is one of Canada’s most celebrated Indigenous artists, renowned for her dynamic mixed-media works that intertwine archival photography, vivid color fields, handwritten text, and symbolic imagery. Her art delves into themes of Indigenous identity, ancestral memory, cultural survival, and spiritual resilience.

In this compelling piece, Poitras pays tribute to the Shoshoni people, known as the “People of the Yellowstone,” whose guardian is the wolf—a symbol of strength, protection, and profound connection to the land. Central to the composition is a vintage photograph from 1878, depicting a Shoshoni family. This sepia-toned image is embedded within a richly layered canvas, surrounded by vibrant turquoise and crimson hues, traditional patterns, and meaningful symbols that echo Indigenous cosmology and cultural continuity.

Poitras overlays the work with a powerful hand-painted inscription:

“You cry for a vision. Ask your wife, mother, how to cry for a vision. I know how… The only safe place is in your prayer.”

These words infuse the piece with emotional depth and spiritual urgency, linking historical trauma to contemporary calls for healing, truth, and reconciliation.

This artwork exemplifies Poitras’s unique visual language—bridging history and present, trauma and transformation. It invites viewers to reflect on the shared responsibility of honoring Indigenous voices, protecting sacred lands, and remembering those who came before.